“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”
As to the course which I seem to you to be urging on you now and then, my object in shutting myself up and locking the door is to be able to help a greater number. I never spend a day in idleness; I appropriate even a part of the night for study. I do not allow time for sleep but yield to it when I must, and when my eyes are wearied with waking and ready to fall shut, I keep them at their task.
I have withdrawn not only from men, but from affairs, especially from my own affairs; I am working for later generations, writing down some ideas that may be of assistance to them. There are certain wholesome counsels, which may be compared to prescriptions of useful drugs; these I am putting into writing; for I have found them helpful in ministering to my own sores, which, if not wholly cured, have at any rate ceased to spread.
Here’s an excellent little behind-the-scenes documentary (23 min.) on three great UK drum and bass artists: Squarepusher, Photek, and Source Direct. It’s especially exciting for me (and I imagine other computer musicians like me) to see how producers back in the 90s were making music at home. Hardware samplers, sequencers, and mixers were an essential part of it, whereas now a single laptop can do everything.
Tom Jenkinson, aka Squarepusher, is the most impressive of the bunch here – very humble, and even this early on he’s clearly making the most complex, intricate music of the bunch. If you’ve heard his records before, this comes as no surprise. He talks about how he’s obsessed with listening to all kinds of rhythm-based music from every period past and present – jazz, funk, drum and bass, etc. He wants to be exposed to it all. This philosophy is also unsurprising given the maximalist complexity of his compositions, which are clearly his restless experiments to synthesize and expand upon all the rhythms he’s encountered. Seeing how bare bones his studio is is also quite inspiring. He’s able to do so much with so little because of the unique processing abilities of his most complex computer – his brain!
The guys in Source Direct also get points for being so honest and raw. I like how matter-of-factly they state that living in the middle of nowhere means their lives basically consist of making beats, driving fast cars, doing drugs, drinking, and girls. Since they only put out two albums, most recently in 1999, it’s clear this philosophy didn’t exactly have longevity built into it, but again, it’s honest. It’s completely understandable that guys growing up in such an isolated location, one so antithetical to the music they create, would have such a straightforward, reductionist outlook, especially when they felt alienated from school and the mainstream youth culture of most of their peers.